I found myself in the public library today, which is a rare occasion. I was scanning the fantasy/sci fi/horror section, surprised at how much stuff they had, and wondering why on earth I spend what I do in bookstores. I checked a few back covers for a precis that sounded interesting. While doing that I came round to thinking about how my reading tends to be mosty gaming related, and that includes the novels I pick up. It struck me then that I’d been slowly coming to a decision over recent months and it goes a little something like this.
I’ve got loads of RPGs, about 5 or 6 times as many as you can see in the banner for this site. The vast majority of them have a setting as part of the game. Consequently, I’ve internalised an awful lot of imaginary worlds. Add to that the weird predilection I have for trying to see everything in the real world as potential gaming fodder and you might begin to see how full my head is. Novels and comics are an obvious source of gaming maaterial, but as time has gone on I’ve realised I’m never ever going to sit down and write a setting bible based on a novel, I’m just not. It’s way to much work and frankly, if my players aren’t as invested in the setting as I am then it’s never going to see time at the table. Let’s not even think about publishing it, not going to happen. Last time I tried to do this was with the Night’s Dawn trilogy by Peter F Hamilton, my favourite author. It’s absolutley ripe for gaming and I sincerely hope someone will do it one day. But it’s more than 3000 pages long and the cast of characters, locations, kit etc is absolutley enormous. Even the really hard core wiki builders struggle with that challenge.
So I don’t do it. I don’t even really build my own settings out of whole cloth, nor do I really pay a huge amount of attention to game worlds so much any more. The reason being, there’s just too much stuff, often of little relevance and too little of it ever reaches the ears of my players. Where’s the utility in a 300+ page book where 297 pages are just dry historical detail?
Let me give you an example. I recently bought Eclipse Phase after reading some reports and reviews online. It’s fans are vocal and passionate to say the least. Just browse RPGnet, you’ll see what I mean. When a poster said I could do Night’s Dawn with it I was totally sold. However, after an hour reading it from the first page I started to flick, never a good sign. ten minutes after that, I’d shelved it. The reason was I felt I would be better off reading a novel as I’d get the same giant infodump but in a more entertaining medium. Believe me when I say this isn’t a dig at the game, I’m sure it’s as brilliant and innovative as people say, but it’s not for me with the way I want to approach gaming these days. The short fiction at the start seemed like something from Shadowrun circa 1994, while the rest of the book was a patchwork of the authors favourite transhumanist scifi of recent years. again, it’s a perfeectly valid approach to a game book, but actually I found myself wishing I’d read the source material instead.
So I noticed a section of books by Charles Stross in the library, and his works are mentioned in Eclipse Phase. My interest piqued, I checked out the splash page. turns out the one I’d picked up is his first published work called The Atrocity Archives and I don’t think it’s one of the transhuman books. Here’s the back page for you:
Bob Howard is a low-level techie working for a super-secret government agency. While his colleagues are out saving the world, Bob’s under a desk restoring lost data. None of them receive any thanks for the jobs they do, but at least a techie doesn’t risk getting shot or eaten in the line of duty. Bob’s world is dull but safe, and that’s the way it should have stayed; but then he went and got Noticed. Now, Bob Howard is up to his neck in spycraft, alternative universes, dimension-hopping nazis, Middle Eastern terrorists, damsels in distress, ancient Lovecraftian horror and the end of the world. Only one thing is certain: it will take more than control-alt-delete to sort this mess out…
There’s enough there for a whole campaign no? And the preface makes it even more succint. In it Ken MacLeod points out:
Think, for a moment, what the following phrase would call to mind if you’d never heard it before: ‘Secret intelligence’
And there’s about 20 of the games on my shelf summed up. Except those books then give me another 13 chapters of explanation and detail which is mostly unnecessary and has the effect of dulling and diluting the original concept. Bringing it back to RPGs proper, the worst offender for me was The Iron Kingdoms, a superb setting from Privateer Press originally for d20 gaming. It started with a trilogy of adventures which gave the DM just enough to go on, and crucially it all came out at the table as the party progressed. Three modules later and everyone knew as much as everyone else at the table without having to study for hours and without losing any immersion either. I think it was better than most settings just because of that ‘reveal during play’ approach. Obviously the fans wanted more and the publishers got to work. The first book was Lock and Load, really just a conversion supplement for standard D&D. It came with maps and geography and history, all in 64 pages. Brilliant. And then a long, long wait while the big hardback sourcebooks were produced, weighing in at 600 pages over 2 hardbacks, all as dry as dust. They’d utterly explained away all the magic. A crushing disappointment, especially when you consider their minis game in the same world, Warmachine, had exactly the same job to do, yet managed it in colour with barely a third of the page count.
Now, this post haas gotten way too long and is in some danger of becoming a rant. So part 2 tomorrow…